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请帮忙推荐欧洲胆机来推音箱思奔达SPENDOR SP100 [复制链接]

查看: 6249|回复: 38
11#

Real 在 2006-7-24 23:45:19 发表的内容
musicwalker 在 2006-7-24 23:39:46 发表的内容
Real 在 2006-7-24 23:23:17 发表的内容
读万卷书不如行里路,最终还是要回到实听

本人并不看好几十瓦胆机推SP100。


假如用 pre amp:EAR864 +AMP EAR861 ,来推俺心爱之世霸小名琴王(SONUS FABER GUARNERI HOMAGE),效果有会如何呢?



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兄台的SAR是电池供前/分体电源后,过200W的合拼机??


假如用 pre amp:EAR864 +AMP EAR861 ,来推俺心爱之世霸小名琴王(SONUS FABER GUARNERI HOMAGE),效果美妙

那么,俺就把俺之ASR(电池供前/分体电源后/过200W)的合拼机,转让给老友推思奔达SPENDOR SP100

ASR(电池供前/分体电源后/过200W)的合拼机,推思奔达SPENDOR SP100,无论音色、控制力,效果都没的说!


反正俺之ASR可是低价购入,现在出手还能赚哩!
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12#


可用EAR的蛋鸡推SP100


能否推介具体型号、价位?[/quote]
这就需要由大哥的预算来决定了,从几万到十几万的都有[/quote]

老友的预算是30w,除却音箱SPENDOR SP100  以及音源BURMESTER 001 CD,20w以内是无问题。
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13#

xinhuawang0 在 2006-7-24 22:56:27 发表的内容
musicwalker 在 2006-7-24 22:03:06 发表的内容
俺准备使用柏林之声BURMESTER 001 CD合并机(带前级功能),所以可以省下pre amp:EAR864。

EAR 861 Power Amplifier,纯甲类、完全零负反馈,单台2 X 32 W;可桥接成单声道64 W。

再请教:AMP EAR861单台要多少米?

前级不可省! 没看我正为前级发愁吗? CD机带的前级功能会有多好吗?


估计pre amp:EAR864应该是实在不便宜,这样还不如前级上MELODY 1688 II ,省下的钱可考虑上两个AMP EAR861(每个单台都桥接后做单声道功放用)
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14#

Real 在 2006-7-24 23:23:17 发表的内容
读万卷书不如行里路,最终还是要回到实听

本人并不看好几十瓦胆机推SP100。


假如用 pre amp:EAR864 +AMP EAR861 ,来推俺心爱之世霸小名琴王(SONUS FABER GUARNERI HOMAGE),效果有会如何呢?
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15#

庄园 在 2006-7-24 22:10:33 发表的内容
同是SP100用家,我用金丝雀CA-903旗舰4分体前级+CA-303单声道后级(300B推挽)×2对玩,其中一对后级单独推中频,另外一对后级推低频+高频+超高(天朗ST200),效果可以满意。


金丝雀CA-903旗舰4分体前级+CA-303单声道后级(300B推挽)×2对,总共要多少米?
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16#

俺准备使用柏林之声BURMESTER 001 CD合并机(带前级功能),所以可以省下pre amp:EAR864。

EAR 861 Power Amplifier,纯甲类、完全零负反馈,单台2 X 32 W;可桥接成单声道64 W。

再请教:AMP EAR861单台要多少米?
最后编辑musicwalker
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17#

xinhuawang0 在 2006-7-24 16:06:40 发表的内容
可用EAR的蛋鸡推SP100最低型号:
pre amp:EAR864
AMP EAR861


嗯。好东东!

[upload=gif]Upload/20067242158186677.gif[/upload]
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18#

EAR 861 Power Amplifier

Push-pull power amplifier. Pure Class A. Enhanced triode mode. Zero overall negative feedback. 32 watts per channel stereo, bridgeable to 64 watts mono. Uses EL519 output tubes. Self-biasing. Balanced and unbalanced inputs. IEC mains connector. Nominated by Stereo Sound (Japan) as Component of the Year for 1996-97.Winner of 'Diapason d'or’ Hi-Fi Palmares 2002(France)

After years of research, development and day-to-day manufacture with the EL519 series of pentode tubes, Tim de Paravicini has come up with a new and exciting Triode configuration. Conventional triode connected pentodes have the second grid tied to the anode, which results in a halfway compromise between a pentode and a triode. This neither has the efficiency of the pentode, nor the linearity of the triode. Tim de Paravicini’s Enhanced Triode Mode (ETM) goes one step further, and creates a true, highly linear triode from a robust pentode tube.

Instead of driving the normal Grid One with signal, this is tied down to the cathode, and thus becomes an invisible, transparent element, and part of the cathode. Signal is fed into the tube’s Grid Two, and in this configuration, Grid Three has no effect - it can either be connected to earth, or left floating. The ETM behaves like a true triode and is in fact more linear than the majority of directly heated triodes. Compared with the latter, it has the additional advantage of being a tough, more robust tube, capable of much longer operational life.

The first amplifier to use the ETM configuration was the ’859, and with some justification the ’861 could be regarded as a push-pull version of the ’859. However, this is more than a slight understatement: each output transformer has a massive 5 kilogram weight, with no feedback applied around it. The circuit is balanced push-pull from input to output, allowing balanced (professional-style) inputs as well as conventional unbalanced (RCA phono jack socket). Similar to the ’859, the circuit is direct-coupled. Tube choice is not critical; perfect operation does not rely on matched tubes, nor on user adjustable bias.

Output power is 32 watts per channel, 20 Hz - 20,000 Hz. The half power bandwidth is in excess of 16 Hz - 60,000 Hz, both with low total distortion, and no overall feedback. Tube complement: 2 x ECC83, 6 x PCC88 and 4 x EL519. Amplifier weight: 27 kilograms.

Subjectively the amplifier has the same ‘family’ sound as the EAR 859. Listeners will find it builds heavily upon this, with an increase in authority and attack. The lower bass has real grip and feel with this amplifier, way in excess of the 32 watt power rating while the treble is smoother, cleaner and sweeter, mainly due to the lack of overall feedback. A single word can sum up the 861: ‘effortless’. It has real power and control, the power to convey the emotion of the most demanding of recordings, whether the source be our preferred analogue or digital.
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19#

EAR 胆机,配世霸SONUS FABER音箱,应该合味。

台湾刘汉盛就曾经动过这种念头:  http://audioart.audionet.com.tw/0Review2002/187/Equipment/216-219.htm

当然,从音乐味来看可能法国JADIS胆机更佳;在独特优雅方面,可能意大利UINSON胆机更妙。

未知有无听过或者实际搭配过 “EAR 胆机+世霸SONUS FABER音箱” 的?请指教……
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20#

使用EAR胆机,来推俺心爱之世霸小名琴王(SONUS FABER GUARNERI HOMAGE)

合不合搭配?
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